Unya

This body of work was made during my residency at Hampi Art Labs from July - Sept 2025, where I work with native Indian wool fibers like Deccani, which are usually discarded. Through slow processes like hand-felting and plant dyeing, I work against systems of speed, extraction, and homogeneity, turning waste fibres into sculptural forms that imagine speculative ecologies and mythologies. These forms draw from queer and feminist worldbuilding, where softness, imperfection, and tactility become acts of resistance to the cold logic of machines, colonial taxonomies, and patriarchal hierarchies. My works are not representations of a fixed world they are living, porous, and ambiguous entities that invite audiences to reimagine their relationships to bodies, land, and technology.